Calligraphy Art as a national art, Iranian culture symbol and Islamic art, has traversed many ruggedness’s for the sake of its development and has been affected by some social metabolisms. Iranian talents have the most important role in succession this art. In this study, we have survived on the calligraphy genesis development and albums. Along with, it has been emphasized on the inflection points which made the calligraphy styles and schools. We have tried to singularize the effective factors on the calligraphy metabolism and also the fabrication of schools. For this reason, all of the calligraphy schools with the art-sociology approach, and on the basis of Howard Becker`s theory “artistic society”, have been analyzed with the use of R. Jacobson`s diagram method “Art Relational Functioning”. Furthermore, we could study on these schools by referring to the theoretic studies. So the researchers have come to this conclusion that the albums are the most important and documented historical resources of Iranian art. Calligraphy has been in reaction to the social backgrounds throughout the various ages. Besides, there ara some effective factors in expansion or sounding of Calligraphy Art and emergence of famous calligraphers, such as; patrons of the art, encouragement of kings and princes who love art, the existence of artistically institutions and usage of Calligraphy Art parallel to the government purposes and finally the effect of social conditions.